Osinsky Studio is an addon for Realphones 2, offering 12 new monitoring options. It’s suitable for different audio production tasks — from tracking and editing to mixing and mastering.

Osinsky Studio Small emulations recreate the primary workspace of the founder of the studio. The variety of this setup — from compact to full-range makes this room an universal choice for arranging, mixing, and mix checking.

The Cubes emulation replicates the legendary Auratone "cubes", which have been an essential tool for midrange frequency checks in the audio industry. A 1990s model was chosen for the studio.

In this studio, great attention is paid to detail, and the choice of amplifier was no exception. After extensive testing, the studio engineers selected the Yamaha A100a amplifier to drive these monitors.

The key to mix translation is the maximum presence of instruments in the midrange. For this reason, we recommend regularly switching to the Cubes during mixing sessions.

The Cubes in this setup are positioned close to the engineer and to each other. This setup effectively combines a consumer-style sound with an analytical one. During blind beta testing, this emulation received significant feedback as one of the most effective tools for mix checking and midrange work.
In addition to balancing, the Cubes are particularly useful for working on stereo effects. If a mix sounds both wide and clean on these monitors, it will translate well on consumer systems and retain its critical elements in mono.

The Near emulation reproduces the sound of Genelec 1030A nearfield monitors. These monitors offer excellent detail in the lower midrange, while their smooth high-frequency roll-off reduces ear fatigue and helps concentrate on midrange issues.

A slight emphasis around 100 Hz helps balance the mix, check the kick drum without sub-bass, and and detect such rumble in musical instruments

If you often boost bass and low mids too much, this emulation can help you balance the mix and fix any issues in these frequencies.

The Main emulation replicates the primary monitoring system, which is used for up to 70% of the work. These are three-way active monitors from Adam Audio.

The ADAM S3A monitors deliver powerful and detailed sound, making them an excellent choice for mixing. Their analytical presentation of mid and high frequencies makes them particularly effective for working with vocals, high-frequency instruments, and spatial elements.

Frequency response down to 32 Hz and low-end boost help highlight the rhythm section.Their punchy and energetic sound is equally suited to mixing and arranging tasks.

These monitors are highly trusted and serve as a unifying reference across various rooms in the studio. Installed in the Osinsky Large room for consistency, their energy and focus are especially pronounced in the Osinsky Small room.

The Studio Small emulations offer a comprehensive monitoring setup for mixing. They provide precise control over instrument timbres and balances, ensuring mixes translate well across various playback systems.

The main monitoring system creates a comfortable environment for arranging and mixing, while the nearfield monitors and Cubes help to work effectively with mix translation.

The dSONIQ team and the emulations they create are not affiliated, endorsed, or licensed by Auratone, Adam, Genelec, and Urei.