ALL YOU NEED FOR MIXING
WITH HEADPHONES
The Realphones software helps you get precise headphone monitoring that you can trust.
Launch Realphones
and dive into the sound
Feel like a pro sound engineer in a studio
Use all its features to make great mixes
Launch Realphones
and dive into the sound
Feel like a pro sound engineer in a studio
Use all its features to make great mixes
Improve the quality of your mixes with precise
monitoring with Realphones
Choose any of the four professional recording studios for your work.
Try out how your music sounds on consumer devices, cars, cafes, and concert places without leaving where you work.
Realphones include emulations of 10 different environments and over 30 professional and home acoustic systems.
Learn more
This music studio, designed with the involvement of Tom Hidley and Roger d'Arcy, is part of one of the largest cinema complexes in Europe.
Despite its large size, the overall sound is very "tight" and "focused," emphasizing the attack of the sound. The timbre coloration is far from neutral, but the sound is very "alive" providing a natural delivery of tones and musical instruments.

Near Field (Yamaha NS-10 with Bryston B3 amplifier)

The sound of these monitors in Music Studio I differs from their classic sound in other studios. There is a strong limitation in the range of reproduced low frequencies, and the mid frequencies are further focused with no excess of high frequencies.

Mid Field (Genelec 1031A)

Cymbals in the tracks sound bright due to the open-sounding high frequencies, while the reproduction of mid frequencies is smoothed. In conjunction with the boost in low and high frequencies, this creates a colorful sound, which contrasts well with the "bare" NS-10 of the first monitor line.

Far Field (ATC SCM 300ASL G Pro (5) + ATC Subwoofers (3))

The sound of this acoustic system is not affected by reflections from the console, as the speakers are much further away from it (unlike the first and second monitor lines). Another important feature is the very "tight" bass of the acoustic system. In this range, it sounds "faster" than the mid-field. There isn't as much bass, and it's not smeared in time. This provides a very good focus on the low-frequency foundation of the mix, allowing the low-frequency section and groove in the mix to be heard very well.

Unlike sound engineers working in Music Studio I, Realphones users can use an optimized version. It removes the above-described features from the sound and makes it more neutral. Some room coloring is retained, but only to the extent that it helps to work on the mix without being too distracting.

The dSONIQ team and the emulations they create are not affiliated, endorsed, or licensed by Yamaha, Genelec, Bryston and ATC.
Thanks to the research we have been conducting since 2015,
we have developed a sophisticated multi-stage headphone measurement technology that ensures highly precise results.
At the moment, Realphones supports over 200 popular headphone models.
Correcting the frequency response of your headphone model will allow you to hear a linear sound with minimal coloration.


More about Realphones 2.0
Check out Realphones in action
Audio Player
  • Hip-Hop - Full Mix
  • Hip-Hop - Instrumental
  • Hip-Hop - Drums
  • Hip-Hop - Vocals
  • Rock (Instrumental) - Full Mix
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(Don't forget to use your headphones)
  • TC Zhou
    Recording, mixing, mastering engineer
    Founder of Studio 21A
    Bejing, China

    The sound I experienced from dSONIQ closely resembles what I'm accustomed to in my studio. Having never tried this type before, the outcome exceeded my expectations, delivering a more authentic and satisfactory sound, leaving me with a positive impression.

  • Nicolas Schuele
    Film and television composer
    Apple TV, Netflix, National Geographic, Discovery, NBC, France Television, BBC
    Switzerland, Geneva

    Realphones allowed me to mix on headphones an entire feature film including dialogues, effects, and 78 music stems, while being confident that what I was hearing was the truth. The result translates perfectly, from the cheapest of earbuds to a Dolby cinema.

  • David Gnozzi
    Platinum mixing engineer, Producer
    Deep Purple, McSolaar, Ministry, Ryan Shuck (Orgy, Adema, Julien-K), Ladytron
    Los Angeles, USA

    I want to say the studio emulations are very useful. You have a bunch of different references but the different media emulations to me are what make this software extremely useful regardless if you mix on the headphones or not.

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