Surely you have encountered situations where your mix sounds great in your headphones, but when listening in other places, obvious problems are heard. For example, there are too many vocals, all the instruments fall into a pile, the mix stops pumping, etc.
The reasons are all the same: the headphones' sound is too impressive due to the excessive width of the stereo and the embellished frequency response of the headphones, which we have already written about. Headphone manufacturers often demonstrate their vision of a “pleasant” sound, which, as a rule, is far from a monitor.
Common solutions:
For the best translation, you need to check the mixes on all available devices and in different rooms and then correct the detected mistakes.
The dSONIQ solution:
Yes, checking the sound of a track in different conditions is the best way to achieve good translatability. It is done not only by amateurs but also by professionals.
In professional studios, sound engineers work with monitors with an even frequency response and in the process of mixing switch between monitors of the near, middle, and far fields, as well as cubes. This allows you to catch the main mistakes in the mixes before they are taken out of the studio and start checking in the “real world”.
The better your monitoring conditions are, the fewer mistakes you will have to correct after checking the mix.
Realphones includes several tools for creating well-translating mixes in headphones: